82a Sunday Session 15th February 2015

short link http://wp.me/p38vMA-quS

Here on the day: Peter Busboom guitar, Arron Manfield saxes flute percussion, Craig Forbes percussion drums, Fergus Leahy guitar bass, Benni Seidel guitar keyboard audio, Craig Collinge keyboards drums, Anthony Santini sax drums, Melanie Eden vocals
Re-Mix @ 12th August 2015
Melanie Eden vocals, Peter Busboom bass, Arron Manfield sax percussion, Craig Forbes percussion, Fergus Leahy guitar, Craig Collinge keyboard L, Anthony Santini sax drums, Benni Seidel guitarCR keyboard CR

2 sax

Want to be involved?
To guarantee yourself active participation

and to help facilitate technical requirements and the set up of the space
Address, full details and participation only on registration via the form

Dance/movement performers. There’s a sprung dance floor, Tarkett, facilities to suspend, opportunity to collaborate with musicians, writers etc.
Please confirm/ask questions and/or make your needs known

THE SCHEDULE (approximate)
Technical and spacial set up. Any assistance will be welcome. People with a particularly complex set up should attempt to get in before the session starts

1:30pm to 2:30pm A period for throwing around ideas/structures people would like to try and any prep necessary for the 2nd period
2:45pm to 5:15pm Free and/or structured improvisation and/or/maybe ideas from the 1st period
5:30pm to 6:30pm “VA@82A” = Virtually Acoustic Free and/or structured improvisation with essential amplification only

What you hear or see when you arrive doesn’t indicate or dictate the whole afternoon. There’s access into the PA for IPod, IPhone, IPad, laptop, CD and there’s a dedicated laptop, projector, large screen, ‘Band in Box’, a big blackboard, reams of paper and marker pens so everyone can be on the same page


About 82A Sunday Sessions

The 82a Sunday Sessions are every Sunday 3:00pm to 7:00pm in a private studio/rehearsal space in Alexandria Sydney Australia The sessions are open to experienced musicians/performers/artists who're interested in collaborating, experimenting, pushing their envelope and critical dialogue in a cross section of performance arts. Music, spoken word, movement etc. The facilities and equipment are provided free to participants. Originality and critical dialogue are encouraged!
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